What Movies Lose When They Use "Blender Cutting"
Credibility score: 52/100 — Mixed Credibility. Several questionable claims detected. Watch with healthy skepticism.
BSmeter analyzed "What Movies Lose When They Use "Blender Cutting"" and rated it 52/100 for credibility (a BS score of 48/100 — mixed credibility), on 2026-05-31. Its weakest claim — "Long takes got popular because digital made them easier" — scored 45/100 and was flagged as dubious. 17 claims were checked against the video transcript. Scores are produced by BSmeter's AI analysis of the transcript, not independent human verification.
Claims analyzed
Video opens with highlight reel preview on blender cutting — Just Vibes (50/100)
Bold preview — sets up the editing rant we're about to get.
Sources: Navigating - Blender 5.1 Manual, Video Editing — Blender, edit mode - How to preview in Blender Video Editor?
Blender cutting removes the intentional dramatic shot — Opinion (50/100)
Calls out the loss of purposeful camera work when editors default to quick cuts.
Spielberg's ferry shot in Jaws stays interesting without cuts — Opinion (50/100)
Fair take — the movement and staging do keep it lively.
Cites Three Women and Tar as strong examples of developing composition — Opinion (50/100)
He's pointing to actual films that use the technique — makes sense as examples.
Modern default camera movement looks mushy and lacks variety — Opinion (50/100)
Calling today's style 'jelloy mushiness' is pure taste, not data.
Today's films mostly use eye-level floating shots instead of varied moves — Opinion (50/100)
Fair observation about gimbal trends, but 'frequently see' is anecdotal.
Gimbals and steadycams replaced dollies and cranes as the default — Solid (75/100)
Widely accepted industry shift; production speed and cost drive it.
Gimbals save time/money but reduce intentionality in shots — Opinion (50/100)
Classic trade-off argument — convenience vs deliberate framing.
Scorsese's Last Temptation uses a push-in to nothing for effect — Personal Story (60/100)
Speaker's personal reading of a specific shot — can't fact-check taste.
Sources: Martin Scorsese's "The Last Temptation of Christ" | MetaFilter, The Last Temptation of Christ Controversy Explained: How Martin Scorsese's Passion Project Became a Nightmare - SlashFilm, Revisiting Martin Scorsese’s The Last Temptation of Christ
Claims Sound of Falling uses shots from a ghostly perspective — Opinion (50/100)
Pure interpretation — no way to fact-check a 'ghost camera' reading.
Says specific shots in two films express character disconnection and diagnosis feelings — Opinion (50/100)
Classic close reading — subjective but grounded in visible film technique.
Claims two common types of great shots exist, starting with bold iconic imagery — Opinion (50/100)
Personal taxonomy of 'great shots' — reasonable framing, not a factual claim.
Park Chan-wook is currently the best at making beautiful, iconic shots — Opinion (50/100)
Strong personal take — not really something you can fact-check.
Long takes got popular because digital made them easier — Dubious (45/100)
Digital helped, but the timing and causation feel overstated.
Claims a 36-minute long take exists in Begon Gun's resurrection — Dubious (45/100)
36-minute take sounds wild — no major film has pulled that off yet.
Good shots need clear intention, not just random coverage for editing later — Opinion (50/100)
Classic film-school stance — intentional framing beats coverage culture every time.
MUBI sponsor read pushing My Father's Shadow and Sound of Falling — Sponsored (50/100)
Classic mid-video plug — 30 days free if you click the link.
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